Editing task in [redacted]. Read draft/book-01/VOICE.md in full first…

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2026-09-02

User:

Editing task in redacted. Read draft/book-01/VOICE.md in full first (binding: plain modern English, no em dashes in body text, prose at rest, people say their reasons; the 'because' ration is a sentence-mechanism problem, NOT a reasons problem — never cut a reason). Then read draft/book-01/scenes/90-.md through 100-.md (eleven scenes). Do NOT touch 101 or later, and do not read chapters/, rewrite/, draft/book-01/rejected-act2/, summaries/, plans/book-01/arc-0*.md unpublished or their git history.

Two independent quality reads have found that 'because' runs at about five per thousand words across these scenes and is every character's only way of attaching a reason (redacted, Edwin, Marsh, redacted, redacted, the gatekeeper, redacted), which is a convergence of sentence shape. Your job, scene by scene:

  1. Count 'because' per scene before you start. Convert at least half of the instances in each scene so that the reason survives as its own sentence, a colon, a 'so', a participial clause, a 'which was why', or simply juxtaposition — vary the joint. Keep every reason. Do not add new figures, aphorisms, buttons or explanations. Make the smallest edits that change the joint. Keep 'because' where a character is explicitly answering 'why' in dialogue and the word is the natural spoken form; the target is roughly two to three per scene.

  2. Give two characters a different way of attaching a reason as a habit: redacted states the fact and the reason as two flat sentences with no conjunction ('I stood it down. The face wouldn't weather.'); the gatekeeper uses 'so' and 'that's why'. Apply those consistently in their dialogue across 93–96.

  3. One specific item in 95: redacted' clipped declaratives currently share redacted's grammar ('Good.', 'Twenty-eight days.'). Where redacted speaks in one-word verdicts, give him a full flat sentence instead ('That'll do.' becomes 'That's all right by me.' etc.), so his shape is the two-flat-sentences one above, not hers.

Edit the files directly with minimal diffs (one paragraph per line; preserve line structure; never introduce an em dash; never use "I'll not"/"I'd not" in first person; no weekday names). Then run python3 tools/overlap_check.py draft/book-01/scenes/9*.md draft/book-01/scenes/100-*.md from the repo root and rephrase any 8+ word run reported in text you changed. Report: per-scene 'because' counts before and after, and three or four representative before/after sentences.

I'll start by reading the binding voice memo and the scenes.

14 tool calls

🔧 Read draft/book-01/VOICE.md

✅ 257 lines, 16258 chars

🔧 Bash: ls draft/book-01/scenes/ | sed -n '85,110p'; echo ---; for f in draft/book-01/scenes/9*.m…

✅ 32 lines, 1406 chars

🔧 Bash: cd redacted/draft/book-01/scenes && for f in 90-the-made-road.md unpublished 91-the-redacted

✅ 100 lines, 19428 chars

🔧 Bash: cd redacted/draft/book-01/scenes && for f in 93-up-out-of-the-fen.md unpublished redacted sentence: unpublished prose

✅ 162 lines, 26113 chars

🔧 Bash: cd redacted/draft/book-01/scenes && for f in 97-first-known-first-looked-at.md unpublished

✅ 166 lines, 25915 chars

🔧 Bash: cd redacted/draft/book-01/scenes && grep -n -o '.\{60\}because.\{70\}' 9*.md 100-*.md

✅ 37 lines, 6269 chars

🔧 Bash: cd redacted/draft/book-01/scenes && python3 - <<'EOF' import re,glob for f in sorted(gl…

✅ 51 lines, 7021 chars — 90-the-made-road.md unpublished redacted sentence: unpublished prose / 90-the-made-road.md unpublished 7 ' redacted redacted sentence: unpublished prose redacted said "Twenty-fourth for ' / 90-the-made-road.md unpublished redacted sentence: unpublished prose It'

Now I'll apply the edits.

22 tool calls

🔧 Bash: cd redacted/draft/book-01/scenes && python3 - <<'PYEOF' import io def sub(fn, pairs):…

✅ 1 lines, 2 chars — ok

🔧 Bash: cd redacted/draft/book-01/scenes && python3 - <<'PYEOF' def sub(fn,a,b): s=open(fn)…

✅ 11 lines, 414 chars — 90-the-made-road.md unpublished 2 / 91-the-redacted-place.md 3 / redacted sentence: unpublished prose unpublished 2

🔧 Bash: cd redacted/draft/book-01/scenes && grep -n -i -o '.\{0,50\}because.\{0,60\}' 97-first-…

✅ 4 lines, 125 chars

🔧 Bash: cd redacted/draft/book-01/scenes && python3 -c " import re for i,l in enumerate(open('9…

✅ 4 lines, 571 chars

🔧 Bash: cd redacted/draft/book-01/scenes && python3 -c " fn='97-first-known-first-looked-at.md…

✅ 2 lines, 66 chars

🔧 Bash: python3 tools/overlap_check.py draft/book-01/scenes/9*.md draft/book-01/scenes/100-*.md

✅ 16 lines, 1441 chars — draft/book-01/scenes/90-the-made-road.md unpublished: 0 overlapping run(s) of 8+ words / draft/book-01/scenes/91-the-redacted-place.md: 0 overlapping run(s) of 8+ words / redacted sentence: unpublished prose unpublished: 0 overlapping run(s) of 8+ words

🔧 Bash: git diff --stat && git diff | grep -c '—' ; git diff | grep -n "I'll not\|I'd not" ; true

✅ 1 lines, 1 chars

🔧 Bash: git diff --stat

✅ 1 lines, 31 chars

🔧 Bash: git -C redacted status --short; git -C redacted diff --stat

✅ 1 lines, 31 chars

🔧 Bash: grep -c because draft/book-01/scenes/95-the-twelve-foot.md unpublished; git status --sh…

✅ 3 lines, 249 chars

🔧 Bash: git log --oneline -3 -- draft/book-01/scenes/95-the-twelve-foot.md unpublished && git s…

✅ 23 lines, 1958 chars

Done. All eleven scenes edited in place; the main session's commit 371d5cf already captured the changes (working tree clean).

'because' counts, before → after

scene before after
90 the made road 5 2
91 the redacted place 6 3
92 care of the college 6 2
93 up out of the fen 2 1
94 a sixpence 3 1
95 the Twelve Foot 8 2
96 four foot three 4 2
97 first known 7 3
98 nine sentences 5 2
99 seventy miles 1 0
100 the sending-book 6 3

Total 53 → 21 (about 2.0 per thousand words, down from ~5.0). Every reason kept; what remains is mostly a character answering "why" aloud (redacted on the struck four and on the third no, redacted on the sending-book, Peri's middle-column filing, Edwin on his departure from the protocol). redacted sentence: unpublished prose

Habits, applied 93–96

Other representative before/after

Incidental fix inside one of the joints: 100 had the retired "wants" construction ("a thing like that wants four names"), now "needs four names".

Overlap check: 5 runs reported, none in text I touched — redacted' verbatim ledger entry (95), the System's three lines and Peri's quotation of them (98), the suspension board and one untouched narrative clause (99). Nothing to rephrase. No em dashes, no "I'll not"/"I'd not", no weekday names introduced; line structure preserved.